Qualification

Three Academic Years

Degree, NZQF Level 7 (420 Credits, 1.2 EFTS per year)

Intake Dates

26 July 2021

Course Fees (Year 1. See fees information.)

Domestic $11,545.00 NZD

International $30,333.00 NZD

Admission Requirements

Minimum qualification of NCEA University Entrance or equivalent, such as CIE or IB University Entrance, or, level 4 or higher Qualification from a related discipline.

Portfolio Requirements

General Portfolio (3D models or visualisations favoured)

Study On Campus or Online

Study options

Blended
Online

Click here to access key information about this qualification

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Overview

Develop immersive experiences

The games industry is absolutely massive – which makes it incredibly lucrative. Step ahead of the competition with a Bachelor of Creative Technologies in Game Art, where you'll be devising and creating your own interactive stories, digital illustrations, concept art and games. By the time you've finished your degree, you'll have collaborated with other game artists and programmers alike to develop your very own creation at industry-level. Don’t just play, be part of it – apply now.

This programme is available both on campus and online (within New Zealand) in 2021. If you are interested in learning remotely, ask our team about online study options when you submit your application.

Why study Game Art?

You should study game art if you are passionate about creating worlds, characters, and interfaces that exist within the context of a video game. By studying game art, you will learn how to design beautiful and immersive environments and believable characters, and then combine those elements to deliver a gaming experience that people will cherish.

What you'll cover in this course

The first year delivers a solid grounding, including 3D modelling and creating 2D & 3D visual assets. Creative problem solving is underpinned by the basic theories, philosophies, and the history of technology.

Component Name	Credits	Toggle
Game Design Principles	20
Here students are introduced to game design foundations, techniques and paradigms through a series of lecture-led and student-led activities. Game design principles are explored through the analysis of existing game artefacts, applying those findings to the development of their own games. Students are introduced to a variety of analysis, development and presentation techniques encouraging discussion, creation and dissemination of their design choices through prototyping and documentation. Level 5 GDV110 PC3993

Art and Design Foundation	30
Art and Design Foundation utilises traditional art theories and practices as a means of underpinning student research into the creation of art and graphic design artefacts. This understanding allows students to produce graphics that are effective in visual communication, understand form, and articulate their ideas. At the end of this component the necessary skills and theoretical foundations of traditional art practices should be evident in the work generated by the student over the course of the year. Level 5 GAT110 PC3993

2D Visual Asset Generation	15
This component utilises traditional art theories and design foundations and makes them relevance in the digital domain. Students create digital artefacts for a variety of outcomes, including concept, pixel and vector art, sprite creation and other digital native formats utilised in the production of video game development. As part of this component, students learn to critique and to be critiqued by peers and lecturers alike in order to understand art and design from a variety of perspectives. Level 5 GAT120 PC3993

3D Visual Asset Generation	30
Here students expand on knowledge gained in the GAT120 course and will utilise industry standard 3D modelling tools and techniques to communicate complex ideas and emotions. Students will critique artefacts that utilise the concepts of form, function, and silhouette learned in previous components. Level 5 GAT140 PC3993

Game Production Foundation	15
2D art assets and basic scripting are combined in this component, enabling students to recognize how art, design and code impact on the user experience. Utilising game development techniques and tools, students will create their own arcade style games, requiring a multifaceted approach including project management, art and design theory, user interaction, menu systems, audio integration, scripting, game design and release. These trans-disciplinary artefacts scaffold the student’s knowledge for the second year of study, when they will interact with the Bachelor of Software Engineering students. Level 5 GAT130 PC3993

Creative Technologies: Game Studies I	15
Game Studies I offers an introduction to the study of video games as texts situated within wider cultural and theoretical settings. Students will explore the history of video games as creative technologies and as cultural artefacts. These ideas will be framed through critical analysis of specific case studies, informed by a wider reading of contemporary games scholarship. Level 5 GAT160 PC3993

Technical Art I	15
Technical Art I introduces techniques in content creation pipelines to deliver solutions involved in 3D game productions. The students will enhance their technical abilities by working with basic scripting, lighting, shaders, particles and various other pipeline elements utilised in interactive media. Level 5 GAT170 PC3993

By the second year, you will be able to design solutions to production problems. New topics are introduced, including the use of middleware and the principles of architecture and game environments.

Component Name	Credits	Toggle
People and Games	15
People and Games introduces students to nontechnical, human aspects of game development and the games industry. Through a series of lecture and seminar-based talks, discussions, and play sessions, students are encouraged to explore and discuss the wider context of the game industry in relation to the economic, social, and cultural determinants surrounding the production and consumption of games and games technology. Level 6 GDV210 PC3993

Rapid Game Prototype	20
This component provides students with an opportunity to work together on a series of projects, enhancing collaborative skills within a team of people across multiple disciplines. Additionally the assignments in this component will challenge the student in finding creative solutions to project management and small scale rapid game creation. Students will be asked to create three 3D game prototypes over the course of 15 weeks and in the final week (week 16) present their work in front of the class and post their work online. Level 6 GDV220 PC3993

Creative Technologies: Game Studies II	15
Game Studies II provides students a venue to explore the impact of entertainment media on society with structured analysis and interpretation. This look into society develops scholarly skills by encouraging students to engage and debate contemporary issues surrounding the production, dissemination, and consumption of interactive media. Level 6 GAT260 PC3993

Advanced 3D Modelling	30
Building upon the knowledge gained in the 3D Visual Asset Generation component, GAT240 teaches advanced modelling and texturing techniques to enhance workflow. Students will learn to 3D model utilising digital sculpting software. Additional topics covered will include how to retopologise models and utilise various tools to enhance production speed and quality. Students will also learn how to optimise their models for a variety of applications. Level 6 GDV240 PC3993

Technical Art II	15
Technical Art II teaches the process of how to create rigs and technical art for games. This will provide the student with the technical skills to solve or enhance art and design assets. Topics also covered in the class will include integration into game engines and basic scripting. Students will learn key terminology of how to optimise their technical art skills for a variety of applications. Level 6 GDV270 PC3993

Real Time Animation	30
Students will be taught the techniques used to create efficient animations for interactive media. In addition to animation theory, topics will also include prop, weapon, and environment animation, character and facial animation along with motion capture topics including cinematics and technical limitations. Level 6 GAT210 PC3993

Professional Practice and Communication	15
Professional Practice and Communication equips students with the necessary tools to create supporting documents needed in business and production methodologies. On successful completion students will be able to plan and manage a project through to completion, understand the basics of starting up a company, effectively communicate using a variety of media, and utilise their knowledge in creating a plan or strategy for a business and/or production. Students will undertake the creation of a curriculum vitae and various collateral, which will be used as a basis for future information sent out to prospective employers. Level 6 GDV230 PC3993

In the final year, both degree programmes collaborate on a major game production. This studio simulated environment tests individual skills, knowledge, and theory while giving students experience working within a team.

Component Name	Credits	Toggle
World Design	30
World Design provides a framework in which students can expand upon knowledge gained in previous components. The tools, practices, and technical knowledge provided in this component help students’ develop game environments that consider design, aesthetic, technical and social contexts to improve the believability of their artefacts. Students use the research opportunity and support provided on historical and fictional architectural movements to better convey a story through their design artefacts. Level 7 GAT320 PC3993

Creative Technologies: Game Studies III	20
Game Studies III uses the student’s ability to undertake scholarly research to further develop their knowledge of game development practices. This component allows the students to specify their own research topics; identify a critical position, with an aim of creating work that demonstrates evidence of research practice and methodology. This is an opportunity for students to pursue research in any game related field they desire with the output being either purely theoretical or supplemented by creative practice. Whilst weekly classes facilitate communication with the lecturer and the review of one another’s drafts and progress, it is a self-directed component with students responsible for their own learning and time management. Level 7 GAT360 PC3993

Game Project: PreProduction	15
Game Project: Pre-Production focuses on the skills and abilities required to formulate a group and manage the pre-production of a game development project. With creative thinking and project scope at the forefront, the team goal is to reach and agree upon an understanding of the team’s strengths and weakness before deciding on a game to develop. The team needs to be able to communicate the project, idea and scope through presentation, documents and a playable prototype. These pre-production submissions are all designed to gear the students towards the start of future productions. Level 7 GDV310 PC3993

Game Project: Alpha	30
Game Project: Alpha allows development of the team’s design from the previous component with students needing to work efficiently and adhere to a schedule to be successful in this component. The quality of the implementation, and the development processes undertaken both affect the final grade as student utilise the best practices learnt during the course. Level 7 GDV320 PC3993

Game Project: Gold	30
Game Project: Gold develops the previous two components to completion. This portion of the project gives the students the ability to refine, bug fix, and promote their projects, both internally and externally. Level 7 GDV330 PC3993

Portfolio Presentation and Critique	15
Portfolio Presentation and Critique focuses on individual investigation and discovery. Students present their work to peer groups and industry professionals as a demo reel and/or web-based portfolio using their own artefacts and with an emphasis on marketability, industry expectation, and presentation. Process and progress will be documented and presented alongside the portfolio and it is key to demonstrate evidence of combining conceptual, critical and creative thinking, strong technical and communication skills in partnership with the imagination so crucial in developing a personal vision. Level 7 GAT330 PC3993

General Admission

NCEA University Entrance NCEA Level 3: Three subjects at Level 3, made up of 14 credits each. Literacy 10 credits at Level 2 or above, made up of: 5 credits in reading 5 credits in writing Numeracy 10 credits at Level 1 or above, made up of: achievement standards (specified achievement standards available through a range of subjects), or, unit standards, package of three numeracy unit standards: 26623, 26626, 26627. (All three required)

If you are enrolled at a New Zealand secondary school and have not yet completed your NCEA (CIE or equivalent) qualification you can still apply now for admission. When your NCEA results are available in January, we will check them and contact you.

IB and CIE University Entrance More information on alternative eligible qualifications such as IB or CIE, click here.

Special Entry, Discretionary Entry and Cross Credits If you don't have university entry, you may still be able to apply for this course. More information about Special Entry, Discretionary Entry and Cross Credits here.

International Students

If you are an international student, you'll need to prove you have sufficient English language skills in order to complete this course. We'll be looking for Academic IELTS overall score of 6.0 (minimum) with no band less than 5.5, or equivalent qualification if English is not your first language.

Quotas

Please note, quotas may apply to some programmes. Where demand exceeds the number of available places, applicants who meet entry requirements will be admitted on a first-come-first-served basis.

If English is not your first language, you may be required to provide satisfactory evidence of your proficiency in English in the form of a recent IELTS (International English Language Testing System) score , TOEFL (Test of English as a Foreign Language) score or a Pearson’s Test of English (PTE) from an accredited organisation.

Portfolio requirements

How to prepare your portfolio

Your portfolio is a selection of work that shows your skills and talents. It introduces you and your ideas, and shows us you have the creativity and imagination to be a student at Media Design School.

There are no strict rules about what you should include in your portfolio. As a guide, it should include a range of 12 - 20 pieces of your best works that represent who you are as a creative person. We recommend including a range of media and styles. It is not imperative you include digitally rendered artworks.

Here are some of the examples you could include:

Pencil drawings and illustrations
Painting Photography Graphic or Digital design
3D models or visualisations
Concept art and characters
Video or moving images

BYOD Requirements

Before you begin your study with us, you will need to have a suitable device that has the functionality to run the programmes required for your course.

Follow this link to find course-specific requirements and recommendations, along with links to more information about hardware specifications. We have prepared these recommendations to help our students equip for flexible, blended learning.

Industry Insights

Game Art career paths include:

Game Artist
Modeller
Texture Artist
Technical Director
Art Director

If you're serious about fast-tracking your way into this multi-million dollar global industry, make a beeline to our dedicated course that we've specially designed to mirror the industry environment. You'll work alongside lecturers with industry experience; all of whom can give you industry insights. Over three years, this course will help you develop your artistic style and technical skills through a combination of traditional art practices and the use of industry-standard software.

In you final year, you'll be collaborating with a group of artists and programmers on a major game project, just like you will in the real world. With this portfolio and experience in your back pocket, you'll have the necessary skills to enter the industry, either in a game studio or as an indie developer.

Alumni

Student Success Stories

View all Alumni

Lena Yaroshenko

Rigging Artist

Grinding Gear Games

Keep going, research and explore as many things related to your craft as you can. Even now, the learning never stops.

Bachelor of Creative Technologies - Game Art

Mona Gabr

Co-Founder

Āhua Wellbeing

Media Design School was the best decision I ever made.

Bachelor of Creative Technologies - Game Art

Ace Lio

UX Specialist

Freelance

I really enjoyed the challenges of assignments & projects as it kept me sharp and resourceful.

Bachelor of Creative Technologies - Game Art

Niamh Fitzgerald

Developer

Little Lost Fox

The best advice I can give anyone studying to pursue a career in the games industry is to get involved in community events.

Bachelor of Creative Technologies - Game Art

Ange Fetalvero

Illustrator

Ogilvy NZ

My training at Media Design School definitely helped me hit the ground running and cope with the pressure.

Bachelor of Creative Technologies - Game Art

Claire Barilla

Developer

PikPok

Don't forget the soft skills! I chalk up a good chunk of our success to our soft skills, our ability to work as a team, to communicate, to compromise, to put ourselves out there and move out of our comfort zone

Bachelor of Creative Technologies - Game Art

Course Lecturers

Meet the Faculty

View all Faculty

Bachelor of Creative Technologies - Game Art

Overview

Develop immersive experiences

Why study Game Art?

Game Art

Course Outline

What you'll cover in this course

Entry Requirements

Language Requirements

Portfolio requirements

How to prepare your portfolio

Entry & portfolio requirements for the Bachelor of Creative Technologies (Game Art)

BYOD Requirements

BYOD Requirements

Career & Industry Insights

Industry Insights

Alumni

Student Success Stories

Lena Yaroshenko

Mona Gabr

Ace Lio

Niamh Fitzgerald

Ange Fetalvero

Claire Barilla

Course Lecturers

Meet the Faculty

Jordan Browne

Senior Lecturer - Bachelor of Creative Technologies and Bachelor of Software Engineering

Aslihan Tece Bayrak

Senior Lecturer - Bachelor of Creative Technologies

Ali Cowley

Lecturer - Bachelor of Creative Technologies

Andrew Amundrud

Learning Facilitator - Bachelor of Creative Technologies

David March

Lecturer - Bachelor of Creative Technologies

Ivan Khmel

Lecturer - Bachelor of Creative Technologies

Jarek Beksa

Lecturer - Bachelor of Creative Technologies

Sam Yang

Lecturer - Bachelor of Creative Technologies